Jon Clark, Lighting - View their professional profile on Theatrical Index, including current productions, past productions and representation. Well lit by Jon Clark to suggest we are looking at an illuminated domestic jungle...

Vicki Mortimer’s designs point up the disparity between then and now with real visual allure and Jon Clark’s lighting is often as fastidious as the music it serves to illuminate Jon Clark, is unusual and particularly effective. Jon Clark’s lighting insists upon shadows as befits a play inhabited by a Ghost Currently for ENO: Orpheus and Eurydice Previously for ENO: The Perfect American and Caligula. However, repertoire, venues, dates of performances and particularly casting are subject to changes. Philippa White’s body becomes slowly discernible in Jon Clark’s exquisite lighting: she appears almost nude under the fresh glow, en pointe, twirling poi ribbons that look like Catherine wheels in her hands. Director David Farr and designer Jon Bausor have created a staging that allows for a highly effective nothing-up-our-sleeves type of theatre that manages to be startlingly beautiful at the same time...//There is fine lighting by Jon Clark.// The overall effect is to make this complex material astonishingly clear. Dick Bird's Amazonian set, lit smokily by Jon Clark, is a fantasy world to delight in...[the] production is both beautifully simple and simply beautiful.
But it's the design team who carry the show. Steffen Aarfing’s set, with exceptional lighting by Jon Clark and choreography (a discreetly effective orgy) by Cathy Marston, is both functional and visually arresting.

Jon Clark provides effective and interesting lighting effects which make the most of Gilmour’s set. With his designers, Steffen Aarfing (set and costumes), Jon Clark (lighting) and Luke Halls (video), Holten creates a striking visual framework for this not-quite masterpiece... The information on the site is compiled in good faith from published opera house information. View Jon Clark’s professional profile on LinkedIn. Vicki Mortimer’s compartmentalized décor creatively sets most of the action in a single, dreary room for the Protector and Agnès; a forest is on one side and on the other, as well as above, are modern workrooms for the Angels.
...the execution leads to considerable dramatic effect, not least because of how the moody lighting (original design by Adam Silverman, modified for WNO by Jon Clark) underscores the narrative shifts. Il libretto, che alterna che alterna momenti di poesia a un linguaggio crudo, come già abbiamo fatto cenno, si integra perfettamente con la musica che si presenta con uno stile che si potrebbe definire in qualche modo classico. There are echoes of things like Theorem by Pasolini and Pelléas et Mélisande by Debussy, and, in Jon Clark's lighting, Tarkovsky and Caravaggio. Tom Scutt’s all-brick design, using the theatre’s back wall, is given a subtle son et lumiere treatment by Jon Clark’s lighting and Dan Jones’s sound, providing an epic scale without drowning a single word. Therefore please check with the opera house before booking, as we can accept no responsibility for inaccuracies | You can grant access to edit your page. In one of the interludes, there is a particularly effective vignette, in which the Captain comes into the social club and vents his frustrations on a shoot-em-up arcade game in the corner. Katie Mitchell's virtuosic staging - time-hopping, split level designs from Vicki Mortimer, beautiful lighting by Jon Clark - arguably heightens the prevailing emotional chill. In the UK he has worked extensively for The National Theatre, The Young Vic and The Royal Shakespeare Company as well as in the West End and with many other companies. ..well recreated in David Farr’s revival, which has a livid green lighting by Jon Clark, casting lots of Expressionist shadows on Jon Bausor’s filthily designed B&B with ducks on the wall flying against the receding perspectives. Jon Clark's stunning lighting design gives the whole piece an ethereal feel. ...and a lighting designer who deserves a knighthood for evoking the moody hues of late-night schmooze. In Katie Mitchell's heart-rendering setting of The Jewish Wife, Anastasia Hille crouches in her slip amid the nude-coloured silks and furs of her half-packed belongings, moving quietly in and out of the lamplight, casting huge distorted shadows as looming music punctuates her monologue. ...both choreography (Arthur Pita) and lighting (Jon Clark) were striking.

...astonishing video designs, aided and abetted by Jon Clark's vivid lighting.

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