What does someone get when they click on a spoiler-filled post with a SPOILER WARNING right at the beginning, but they read it anyway? . "Outside of that, I like that people can...come to their own conclusions. . Joker doesn't offer any solutions, but neither did Requiem For a Dream or Natural Born Killers or any number of other similar films. “Joker” at least deserves some credit on this front: It bucks that trend.
To wit: It’s been recognized by a number of black women writers including Beandrea July for Further buttressing these views: Phillips seems to align Arthur’s trials with those of working-class (itself a racialized term) people of color who apparently populate much of his world; and with the 1980s, a period in which America under Ronald Reagan saw his socio-economic policies further disenfranchise African Americans.
Its reception exposes as much about the media’s blindspots as it does the movie’s: Like the nameless women who populate Fleck’s universe, they’re hiding in plain sight.Interviews with leading film and TV creators about their process and craft.Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox Do y'all think Arthur killed Sophie? And while I personally kind of suspected/hoped this was the case...I don't know, y'all, that use of music and framing SCARED me for a minute, and it's nice to have it confirmed! Sophie is terrified by his presence, and it quickly becomes clear that she only knows him in a passing sense, and not in the intimate way we believed.They have a short-but-incredibly tense interaction with Sophie begging Arthur to leave and not hurt her or her young daughter and then...it cuts to Arthur storming down the apartment building hallway while VERY frightening music BLARES, and it is left up to the audience to interpret what the heck happened.And, TBH, people were pretty much right down the middle with their guesses:But, wonder no longer because this week the film's cinematographer, Lawrence Sher, revealed in an interview with “We wanted to make the interpretation of what's real versus what’s not real a part of the viewer’s experience,” Sher "Some people have asked me, ‘Was she killed?’ but Todd [Phillips] makes it clear she WASN'T killed," Sher "We leave hints [at what is real and not real] using imagery, or the way we covered scenes similarly between scenes," Sher said. They are primarily white people who he sees as an affront: three men on the subway; Arthur’s co-worker; Robert De Niro’s condescending late-night host Murray Franklin; and his mother.Arthur even appears to have empathy for the kids of color who, early in the film, steal his billboard, make him chase them, and them physically assault him when he catches up.
He longs to find human connection. The interior world of an overmedicated character who suffers from schizophrenia, dissociative identity disorder, and post-traumatic stress must be so impaired that relationships with any external reality are warped, if not entirely disconnected.And so with an unreliable narrator like Fleck/Joker, the truth is left open to interpretation.
In their final meeting, she tells Arthur that the system doesn’t care about people like him, nor does it care about people like her.
They get what they f***ing deserve.Let me just refresh your memory really quick: During the entire first two acts of the film, the audience is led to believe that Arthur and Sophie are dating......Except that they're not, and their relationship took place entirely in Arthur's mind. Which is not to go so far as to say that if you buy into “Joker,” the joke’s on you.
In an early scene, she questions whether it helps to discuss his thoughts. . She has no reason to be concerned with Arthur’s condition; she’s assessed that he poses no threat to her or her son, and that’s that.Then there’s the nameless social worker (Sharon Washington, “Social Worker”), whom Arthur visits repeatedly. In the days since, the takes have been coming in hot. (Except in the long run it really is.) In fact, based on how black women engage with Arthur, one can infer that the director sees them as collective representatives of a basic humanity that’s otherwise absent in the characters who inhabit his very small world. He readily dismisses them as just a bunch of kids who don’t know any better.But at what point does this well-meaning group of anonymous people of a shared race — and largely, gender — become another kind of trope? It’s possible that Phillips had the presence of mind to recognize how black people were negated at that time, and by aligning Fleck with these prominently featured and anonymous people of color, created a commentary that sympathizes with their plight.Or not. So when a white man engages her son, she goes into defense mode.Arthur, who starts laughing uncontrollably, hands the disgruntled mother a card with text on it that explains his condition — a disorder that causes him to laugh at inappropriate times, inaccurately reflecting his emotional state.
But as a nameless black figure, the audience is left to make assumptions based on her race and gender.
She reads it and leaves him alone in his hysteria. All rights reserved.
Do y'all think Arthur killed Sophie?Get all the best moments in pop culture & entertainment delivered to your inbox.California residents can opt out of "sales" of personal data.Reporting on what you care about. And while he doesn’t quite get everything he wants out of the aforementioned interactions with black women, they are arguably the only characters in the film that show him any semblance of humanity. Dark comic book tale "Joker" topped the Oscar nominations Monday, picking up 11 nods including best picture and best director, as women and ethnic minorities were largely shut out once again.
Joker introduces potentially one of the most mentally disturbed versions of the iconic villain. It’s clear from the expression on Arthur’s face that she is not that person.
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